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HISTORICAL MUSEUM AND ARCHIVES OF CENTRAL HALL

Arauco Historical Museum was founded on 02 February 1993 and was born out of four teachers from the community seeking to recover the past history of Arauco. They were, Juan Matamala Hernandez, normal school teacher, director of Polytechnic High School Carampangue, Segura Susana Alvarez, Professor of Fine Arts of the Lyceum "San Felipe de Arauco" A-50; Luis Pastén Tanker, professor of Fine Arts of San Liceo Francis of Assisi, and Luis Torres Aillón, Professor of History and Geography of the Lyceum "San Felipe de Arauco" A-50.
They, with the help of the community who contributed both in kind and financial resources were able to successful end to this noble initiative. From
1995, for work, Mr. Mata and Ms. Segura, the museum withdrew, leaving a huge vacuum at the institution. At that time the museum is located in the so-called House of Culture, as always without more funding.
The museum is run by a Cultural Corporation since 1998. In the first instance was directed by Professor of History and Geography Miss Passion Villar Cariaga and secondly by the schoolteacher, Sergio Guiñez, Cultural Corporation is currently directed by Luis Torres Aillón.
After a period of 5 years in a small local street Luis Cruz Martínez, Mr. Mayor. Mauricio Alarcon Guzman, restored the institution to the local House of Culture where it remains today, thanks to an agreement by the City Council for a loan to 30 years. The Museum
, has teachers and Luis Torres Luis Pastén which, is funded by Mrs. Eva González Navarro, who works as a secretary, Miss. Andrea Briceño as Assistant.

In its premises, the Museum carries out various activities: outreach, educational establishments, dissemination, with campaigns of cultural heritage and desktop publishing, research, local history and conservation of their pieces on display and in storage .

dicimebre 27, 2007, established the dependence of the Historical Archive, which contains a series of documents, files of newspapers, in paper and microfilm, photographs, documents, municipal records, maps of the area, among other elements,

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ARAUCO

room is the entrance to the Historical Museum of Arauco. Here you can find many items that serve as an introduction to local history. Numismatic collections can be found with a series of notes and coins in circulation in the old Arauco. There is also a corner of history First Strong Foundation in 1551, with plans and remnants of the old fort.
addition, here is the museum shop that offers a number of publications with various topics of local history and various souvenirs.

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Arauco Historical Museum offers an overview of the Mapuche culture. In it, we find:

(1) Lithic; as arrowheads, carved stones, mortars, grinding stones, pipes and fossils found in the area.

(2) Ceramics; with a collection of pitchers, handles and a variety of ceramic fragments. (3) Textiles: with the elements that made up the Witral (loom) Mapuche and still continues to be used in Arauco.

(4) Silver; with ornaments that used the Mapuche woman: trarilonkos, Chaguaya, trapelakucha, punch and tupu.

(5) Musical Instruments kultrung Pifilkas, Trompe, Ñolkin, Kaskahuillas, among others,
addition, in this room are Collections Paleontological, mineralogical samples and objects from various native cultures of our country.

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ethnographic room ROOM MEETING ROOM

manners zone is where miscellaneous items are used by the ancient inhabitants of Arauco of the early twentieth century such as: pots, pans, ringing the Bank of Arauco, telephone, piano vertical printing plate map of Arauco of 1898-among other objects.
also presents a rich collection of watches and two banners with historical information of the coal mines that were in Arauco and demographic evolution of our city.

can be added, a collection of guns and swords of the late nineteenth and early twentieth centuries.

One of the most precious objects is a cannon artillery used in the late eighteenth century.

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CUSTOMS AND TEMPORARY EXHIBITIONS

Located on the second floor of our building, this meeting room is used for days of different kinds of municipal and private agencies. It also serves to mount during the summer season as Temporary Exhibition were: Indigenous Cultures of Chile, Arauco in photos or as a second room Costumbrista, coal mining Arauco.

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Saturday Short

By many, many years since I heard this song. When I was in college, I loved the Cuban Trova. Pablo and Silvio were my idols (along with Peter Gabriel and a few more).

A theme composed by Pablo Milanes and I always spell was "Short Saturday." Today got the words to that song hundreds of pages, so I decided to not add here, but just thought I'd share this moment ... considering that today is Saturday. ;)

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The Lamb Lies Down on Broadway - the story in Spanish

Along with Part 1 and Part 2 the English translation of the letters of the legendary album "The Lamb Lies Down on Broadway " Genesis I published on this blog recently, in 1990 I found the task of translating the story of the album that came inside the double album, when you opened it up the middle.

This story, like the letters are all owned by Peter Gabriel. This is just a English translation for the purpose of disseminating the work of Genesis and in particular Peter Gabriel, who wrote all the lyrics of the album and the story you will read below.

---

Keep your fingers out of my eye. As I write, I like looking glass butterflies are around all the walls. People in my memory are pinned I do not remember events very well, but I am writing one for him crumble, decompose and feed another sort of life. The event in question is fully biodegradable material and categorized as 'Rael'. Rael hates me, I like Rael, "yes, even ostriches have feelings, but our relationship is something we are both learning to live. A Rael likes a good time, I like a good rhyme, but I will be directly over-he hates me being around. So, if this story is not understood, I could lend a hand, (do you understand?) (This is why the rhyme is planned, silly).

The needle jumps flaming red. New York pulled out of his bed. Weary guests are invited to leave the warmth of all-night theater, having slept on films that others only dream ñe; an. The extras that have not been paid disturb the Sleeping Broadway. WALK DO NOT WALK left to right: Broadway directions are not so bright. Autofantasmas keep pace for the race early bird taxi drivers mobile.

Enough of this, our hero climbs up the subway stairs into the light of day. Behind his leather jacket has a spray gun that has left the RAEL message in large letters on the wall down. It may not mean much to you but to Rael it is part of the process leading to 'make a name for yourself. " When you're not Puerto Rican or a purebred ñe; or life becomes difficult, and it comes out stronger than you.

With casual sideways glances along the street, he checks the motion in the vapor seeking potential obstruction. Without seeing any, strode across to the sidewalk, past the drugstore Feverfew being removed to reveal the smile of the girl in the toothpaste, passes the ladies of the night and Patrolman Frank Leonovich passes (48, married, two children ) who is standing in the doorway of the wig shop. Leonovich Patrolman Rael looks the same way as other troopers look at it, and Rael only esconde que está escondiendo algo. Mientras tanto desde fuera del vapor un cordero yace. Este cordero no tiene nada que ver con Rael, o con ningún otro cordero -sólo yace en Broadway.

El cielo está cubierto y mientras Rael mira hacia atrás una nube oscura está decendiendo como un globo en Times Square. Se posa en el suelo y toma la forma de una superficie lisa de bordes duros, la cual se solidifica y extiende hacia el Este y Oeste a lo largo de la Calle 47 y llegando hasta el cielo oscuro. Mientras la pared levanta su tensión se vuelve una pantalla que muestra en tres dimensiones lo que había existido al otro lado tan sólo un momento antes. La imagen flamea y entonces se resquebraja como arcilla pintada y la pared se mueve hacia forward silently, absorbing everything in its path. The unsuspecting New Yorkers are apparently blind to what is happening.

Rael starts to run toward Columbus Circle. Every time you dare to take a look, the wall has moved another block. By the time he thinks he is keeping his distance from the wall, the wind blows hard and cold slowing down. The wind increases, dries the wet street and picks up dust from the surface, throwing it in the face of Rael. More and more dust is lifted by the wind and begins to settle on the skin and clothing Rael, making a solid layer that gradually leads to a terrible stillness. A sitting duck.

The moment of impact silence and bursts into a roar of sound, the second end is prolonged in a world of echoes as if the concrete and clay of Broadway itself was reliving his memories. The last great march passes. The news man is weak as a whimper as audience and event are bound as one. Bing Crosby (sings) "You do not have to feel pain to sing the blues, do not have to (holla)-do not have to feel anything in your dollar collar." Martin Luther King shouts, "Everybody sing!" and ta ñe; and the big, old Liberty Bell. Leary, weary of his prison cell, walks in the sky, speaks in hell. JFK gives Okay to shoot, sipping Orange Julius and Brutus Limón. The bare-chested cowboy (garnish) double to triple champion. Who needs Medicare and the rate of 35 ¢ when Fred Astaire and Ginger Rogers are dancing through the air? From Broadway Melody stereotypes the band returns to 'Stars and Stripes' bringing a tear to which the moon shines, who has been pouring his spirit out of the silence illegal. ñe; You start in the corridor you clean the noisy box to save money and grab his lucky dollar bill. Then fainting.

Rael regains consciousness in a half light musk. He is warmly wrapped in some kind of Capua. The only sound you can hear is dripping water, which seems be the source of light flickering pale. He thinks it should be in some sort of lunatic cave or tomb, or catacomb, or eggshell waiting to fall from the bone as the ñe; enters. Whatever it is, feels serene, very clean and happy as a mu eco ñe; well kept with hot water in your belly, then why bother to know what it means? Resigning themselves to the unknown is drawn into the dream o. ñe;

rose in a cold sweat and a strong urge to vomit. No signals were ñe; of Capua and can not see the cave about him. There is much more brilliant water dripping from the ceiling and stalactites and stalagmites are forming and decomposing at an incredible speed all around. As fear and shock register, he assures himself that the self will provide some security, but his thought is abandoned as the stalactites and stalagmites are intertwined in a fixed position, forming a cage whose bars are moving toward him. In a moment a flash of light and he sees an infinite network of cages all tied by a rope-like material. While the rocky bars press Rael's body, he sees his heman John outside, looking in.. John's face is motionless despite screams for help, but in his vacant expression a drop forms and blood runs down her cheek. Then he goes calmly leaving Rael to face the pains that begin to cover his body. However, just as John is lost sight of the cage dissolves and Rael is spinning like a top.

When all this revolution comes to an end, sits in a highly polished floor while his dizziness fades away. Is an empty modern hallway and selling dolls to sue mu ñe; ñe; you are sitting on the desk. Without asking his speech begins: "This is the Long March Packaging dead, those whom you are about to see are all packed into service, except for a small ñe; to amount of our new product in the second gallery. It is all the food required to cover the company's existing arrangements. Different batches are distributed to area operators, and there are abundant opportunities for the large investor. They range from the expensive conditioning reasonable care to the most malnourished. We find here that all eyes will agree to them. Except for the low market malnourished, each comes with a guarantee of successful birth and childhood without problems. There are, however, only a small amount of potential ñe; to variable selection, not far from the average differential. You see, the roof has predetermined the limits de acción de cualquier grupo de paquetes, pero los indivíduos pueden salirse del camino si sus diversiones son contrabalanceadas por otros."

Mientras merodea a lo largo de la línea de paquetes, Rael nota una familiaridad en algunas de sus caras. El finalmente se encuentra con algunos miembros de su antigua pandilla y se preocupa por su propia seguridad. Corriendo fuera del piso de la fábrica, alcanza a ver a su hermano John con un número 9 estampado en la parte posterior de su cabeza.

Nadie parece emprender la persecusión, y con las caras familiares frescas en su mente procede a reconstruir su antigua vida, encima de la tierra -Demasiado tiempo era una cosa que no necesitaba, así que solía recortarlo con a bit of speed. I was under better circumstances dead slow in the head. His mom and dad had taken a walk mounted on his back, so it was quick to join the gang. Only after a spell in Pontiac reformatory was given respect in the gang. Now, walking back home after a raid, he was stroking a porcupine sleeping. That night he pictured the removal of his hairy heart and to the accompanying ñe; Organization chart very romantic music he saw being shaved by a blade of stainless steel to be clean. The palpitating cherry-red organ was returned to its rightful place and began to beat more strongly as he guided our hero, not counting time through his first romantic encounter.

He returned from his memories confused the place where it was previously jammed. This time person discovers a long carpeted hallway. The walls are painted with red ocher and are marked by extra badges ñe; as some that look like a target, other birds and boats. Further down the corridor, you can see some people, all kneeling. With broken sighs and murmurs they struggle, in slow motion to move towards a wooden door at the end. Having seen only the inanimate bodies in the Long March of lifeless Packaging, Rael rushes to talk to them.

"What?" The monk yells grumble ñe; On, who conceals a yawn and replies "So much time for the dawn." A sphinx-shaped reptile calls him by his name saying "Do not ask, the monk is drunk. Each of us is trying to reach the top of the stairs, waiting for us out there." Without asking how they can move freely, our hero boldly through the door. Behind a table full of food, is a spiral staircase that rises to the ceiling.

At the top of the stairs is a room. It is almost a hemisphere with many doors along the entire circumference. There is a big crowd piled into several groups. In the shouting, Rael learns that there are 32 doors, but only one leads out. Their voices will become stronger and stronger until Rael screams "Shut up!" There is a momentary silence and then found as the focus as they direct their advice and orders to his newly found recruit. Raised in the trash, feeding on ash the master of the puzzle have to move faster. Rael has been a quiet corner and rushes toward him. He stops near a middle-aged woman with pale skin who is quietly talking to each other. He discovers that she is blind and asking for a guide "What good is a guide if it has nowhere go? "Rael asked." I have a place to go, "she replies," if you take me through the noise, I plowed ñe; teaching. I am a creature of the caves and I follow the direction of the breezes blow. "

the phone through the room and leave the crowd, who fired his departure for sure that will fracazar. When you go through the door, woman leads Rael down the tunnel. The room light soon fades and despite her confident step Rael often stumble in the dark.

After a long walk to what Rael sores considered a large round cave, and she speaks for the second time asking him to sit. It feels like a cold stone throne.

"Rael, sit here. They will come soon for you. Do not be afraid." And explain just dissipates. He faces his fear again.

A tunnel is lit on the left, and he begins to shake. As it grows brighter, he hears a metallic hum. The light is getting painfully bright, reflecting as white on the walls until your vision is lost in a sort of snow blindness. Panics, fumbles around for a stone and throws it into the brightest. The sound of breaking glass echoes everywhere of the cave.

As your vision is restored enough to see two balloons gold about a foot in diameter moving away flitting through the tunnel. When they disappear, a resounding crunch dries () through the roof, and it falls all around. Our hero is trapped once again.

"This is" he thinks, failing to try to move some of the fallen rocks. There's not much spectacle for a creole (criollo) underground as you walk through the gates of Sheol. "I would rather have been ejected in a thousand pieces in space, or filled with helium and floated in a mausoleum. This is no way of paying my debts nostalgic past. Anyway I'm out of the hands of any pervert embalmer doing his interpretation of how I look, filling my cheeks with cotton. "

Exhausted by all this conjecture, our hero gets the opportunity of a lifetime to meet his hero: Death. Death is wearing a light disguise, she did same. He calls it the "Supernatural Anesthetist." A Death, like meeting people and want to travel. Death comes to Rael with snuff bottle, take a big mouths, and seems happy to move away from the wall.
Rael touches
his face to confirm he is still alive. Discards death as an illusion, but an essence musk note floating in the air. It moves to the corner where the essence is stronger, discovering a crack in the stone through which you are entering. He tries to move the stones and eventually open a hole big enough to be crossed on all fours. The perfume is even stronger on the other side and sets out to find its origin, with a newfound energy.

finally reaches a very ornate pink-water pool. It is profusely decorated with gold inlays. The walls around the pool are covered with velvet or caste ñe; which honeysuckle is growing. In the mist on the water are a series of curls. Three snake-like creatures are swimming towards Rael. Each reptilian creature has the diminutive head and breasts of a beautiful woman. Her horror turns passion as their soft green eyes show their welcome. The Lamia invite you to enjoy fresh water and rapidly enters the pool. As soon as he swallows some liquid, a pale blue luminescence drips from your skin. The Lamia lick the liquid; very delicate as it begins, with each new contact, he feels the need to give more and more. They soban his flesh until his bones appear to melt, and when you feel you can not go further, nibble your body. Taking the first drop of his blood, his eyes turn black and their bodies are shaken. Stunned by the helpless passion he watches as his lovers die. In a desperate attempt to get what's left of them in his body, he takes them and eats their bodies, and struggle to leave the nest of her lovers.

Leaving by the same door from which he had entered, is a kind of ghetto of monsters on the other side. When you reach street to see all distorted figures burst into laughter. One of the colony approaches him. It is grotesque in every way, a mixture of ugly lumps and many ñe; ones. His lips slip across his chin and smiles at you ñe; to welcome and offers a slippery handshake. Rael is a little disappointed when the Slipperman revealed that the colony has gone through one by one and the same glorious romantic tragedy with the same three Lamia, who regenerate themselves each time, and now Rael share your physical appearance and shadowy fate.

Among the twisted faces of men Slipperman, Rael recognizes what remains of his brother John. They hug each other, John explained bitterly that Slipperman entire life is dedicated to meeting the endless hunger of the senses, which has been inherited from the Lamia. There is only one escape route, a dreaded visit to the remarkable Doktor Dyper who will remove the source of the problems, or to put it less politely, castrate.

They discuss the cheating ñe; osamente named escape for a long time and decide to go together to visit the Doktor. Survive the test and they are given their offensive weapons in plastic tubes yellow gold chains. "People usually wear them around their necks," said the Doktor handing. "The short operation does not necessarily exclude the use of the facility again for short periods, but of course when you want it, should tell us enough time." As the brothers talked about their new situation, a large black crow flies in the cave, rushes upon them, grabs Rael's tube of his hands and has been flying at its peak. Rael asks John who accompanied ñe; e.

And he answers "I will not chase a black raven. Here below you should read and obey the omens. There's disaster where the raven flies." Then once again leaving his brother John.

The bird leads Rael down a tunnel, he seems to allow you to maintain a close distance. But as Rael thinks you could almost reach the bird, the tunnel opens and ends in a hollow ground. Coincidentally, the raven drops his precious load in storm water below. It's enough to turn a poor boy crazy. Displaying

the dangers of steep cliff, our courageous hero is powerless and angry looks. Keep a small ñe; or road runs along the top, and go up and down the tube in the water as the swift current carries it away. However, while passing through a corner Rael sees a sky light on it, apparently formed in the bank. Through it you can see the green grass of home, well not exactly, you can see Broadway. His heart, now a little bristly, is shaken by a wave of joy and starts running with open arms, towards the exit. Just at that moment in time his ears pick up a voice screaming for help. Someone is struggling in the rapids below. It's John. He pauses for a moment remembering how his brother had left him. Then the window begins to fade, it's time for action.

He rushes towards the cliff and down the rock crawling. It takes much longer to reach the water, trying to keep pace with the flow at the same time. As it nears the water's edge sees John losing strength. Dives into the cold water. At first it is thrown onto the rocks, and pulled down a fast moving channel, which takes you down the river in front of John. Rael manages to grab a rock to the surface and get air. When John goes, Rael is released again and grabs his arm. John beats to make you lose consciousness and then hugging together, is carried away by the rapids to the slow water, where you can swim to safety.

But while dragging the limp body of his brother to the bed and banks will hopefully see her eyes looking for signals of life are ñe;. Staggers of fear, because looking con los ojos bien abiertos no está la cara de John -sino la suya. Rael no puede dejar de mirar esos ojos, hipnotizado por su propia imagen. En un movimiento rápido, su estado de conciencia se precipita de una cara a la otra, entonces de regreso una vez más, hasta que su presencia no está ya sólidamente contenida en uno u otro.

En esta estado fluído él observa a ambos cuerpos delineados en amarillo y el paisaje que los rodea fundiendose en una bruma púrpura. Con un torrente repentino de energía que sube por ambas columnas vertebrales, sus cuerpos, de igual forma, finalmente se disuelve en la bruma.

Todo esto tiene lugar sin ninguna puesta de sol, sin ninguna campana sonando y sin ninguna flor cayendo the sky. Still fills everything with its mysterious intoxicating presence. It's finished for you.

Copyright Peter Gabriel 1974

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The Lamb Lies Down on Broadway - Spanish lyrics (Disc 2)

This is part 2 / 2 of the post with English lyrics the album "The Lamb Lies Down On Broadway" by Genesis (1974).

can read the first part here.

• Lillywhite Lilith
  
• 
  
Anyway The Supernatural Anaesthetist
• 
  
• The Lamia
  
• The Colony of Slippermen
  
• The Light Dies Down on Broadway Riding
  
• 
  
the Scree In the Rapids
• 
  
• it
  

---

Lilywhite Lilith
The chamber was in confusion-all voices crying hard. Only
I (could) hear a voice close by saying, "Please help me pass through the crowd"

said that if she could help also helped, but I could (could) see that she was completely blind .
But her pale face and pale skin, a bright moonlight.

Lilith white lilies,
gonna bring you through the tunnel of light. Lilith
white lilies,

will guide you well.

When I had been through the people, the angry noise began to grow
.
She said "Let me feel the direction the breezes blow
and show you where to go."

So I followed up a big round cave, she said
"They're coming for you, now do not feel afraid."
Then I sat on a cold stone throne, carved in jade (rock). Lilith

white lilies,
gonna bring you through the tunnel of light.

white Lilith lilies,
will guide you well.

She lets me in my darkness,
I have to face my fear.
And the darkness is upon me, I can hear a buzz
approaching.
I can see the corner of the tunnel,
lit by what is coming here.

Two golden globes float into the room come
And a flame of white light fills the air.

Return to the top

---

ANYWAY
All pumping is about to end for my sweetheart,

This is my turn,
time to meet with the boss,
Oh boy! the runner is outside the death.
I feel cold and old, is becoming difficult to feel my breath. Back
dust, you've had your time (time) boy.

rocks, in time, compress your blood
oil, coal
Your flesh,
enrich the soil, not the goal
worldwide.

Anyway, they say that it comes in a pale horse,
But I'm sure I hear a train,

Oh boy! Do not even feel pain-
I think I must be going crazy.
Damn it! Perhaps the Earth covers a hole in the sky or heaven
covers a hole in the earth - 'how wonderful to be so deep,
when todo lo que eres está muriendo bajo tierra.'

Siento el tirón en la cuerda, explótame (hazme estallar) en el arcoiris.

Yo pude haber sido detonado en el espacio,
Orbitas diferentes para mis huesos.
No yo, sólo calladamente sepultado en piedras,
Mantén abierto el fin del plazo con mi creador!
Mira como me estiro; para el acre elástico de Dios.
El timbre de la puerta suena y es
"Buenos días Rael

Lamento que hayas tenido que esperar,
No falta mucho, yeh!
Ella muy pocas veces llega tarde."

Return to the top

---

EL ANESTESISTA SOBRENATURAL
Here comes the supernatural anesthetist.
If he wants you croak,
All you have to do is blow
-he is such a good dancer.

Return to the top

---

THE LAMIA
The smell gets stronger, he knows he must be near
He finds a long passage lit by chandeliers.
At every step he takes, the perfumes change
fragrance flavors familiar to outsiders.
A magnificent chamber meets his eye.

Inside, a long pink-water pool is shrouded by fine mist. Getting into the wet
silence, a warm He is sweetly kissed breeze.

Thinking is all alone, He enters the tanning
, like yours,
But curls
sweet pink water Reveal some unexpected company
-

Rael is stunned doubting his sight, Struck by
beauty, dead scared
Three vermilion snakes of female face,
The slightest movement, full of grace.
muted melodies fill the echoing hall,

But there is no warning sign in the call of the siren:
"Rael welcome, we are the Lamia of the pool.
We've been waiting for our waters will cool."

Putting fear beside him, he trusts in beauty blind,
slips into the nectar, leaving behind their clothes torn.
"With their tongues, they test, taste and judge all that is mine.

They move in a series of caresses That
gliding up and down my spine.

While nibbling the fruit of my flesh, I do not I feel pain,
Only a magic that a name would stain.
With the first drop of my blood in their veins
Their faces are convulsed in mortal pains.
The fairest cries, 'All we have loved you Rael'. "

Each body empty snake-shaped floats, Silent Sorrow
in empty containers.
A sickly acidity permeates the room,
The painful (sour) harvest of beauty (flowering) dying. Looking
movement that I do not find it. I hit the curls

now turned pale, in which I had been lying intertwined.
"O Lamia, your flesh that remains I will take as my food"
is the smell of garlic that remains in my chocolate fingers.

Looking behind me, the water turns icy blue,

lights darken and once again the stage is set for you.

Return to the top

---

THE COLONY OF SLIPPERMEN


THE ARRIVAL Rael: I wandered lonely
like a cloud,

Until I came to this dirty street.
I've never seen a crowd strange;
Good for nothing (useless) with squeaky feet, Continually

setting the pace (running),

with embracing indifferent

Each orifice disgracing And one that is in front of me moves to say "What else!".

His skin is all covered in slimy lumps (foul)

With lips that slide across each cheek.
His twisted limbs like rubber stumps
are waved in welcome sign saying "Please come closer."

My handshake is could you be releasing at once,
because my health is slipping, My hopes are sinking

and his lips are smiling all the time.

Slipperman (man slips):
"We Like you, we tested love.
Do not be alarmed by what you see,
You are exactly the same
you see in me. "

Rael:
I, like you? So!

Slipperman:
" Better be careful son, your sentence has just begun
Best runs and reaches to your brother John. "

A VISIT TO THE DOKTOR
Slipperman:

" You are in the colony of men who are released (unhook, escape).
No Who? Why? or What?
You go if you have the courage

To view, the Doktor Dyper, soldier-
restored trenches he'll pull your wipers

Rael:
John and I are able
to face the Doktor and his marble table.

The Doktor: Understand Rael
is the end of your story.

Rael:
"Do not delay, Cutting the penis! "
I look at his watch timer to tick ......

THE RAVEN
He puts the number into a tube,

A yellow plastic" shoobedoobe.
says: "Although tickling fingers feel
'll be safe in our pickle. "
Suddenly, black cloud comes down from heaven.
is a large black bird that sure can fly.

Crow
brings darkness and night He flies right down it gives me a tremendous scare.
He takes the tube out of my hands

Man, I have to find where that black bird lands.

"Listen John, I have to run
I need you coming?"
He tells me.

John:
"Now can not you see Where the raven flies
danger.

We have been cured in the bed (sofa)

Now you're sick with your grouch.
I would not risk my honey pouch
Which my slouch hang too low. "

Rael:
he goes and leaves me once again.

Although I never learn,
I had hoped that he will show just some concern.

I'm in agony of pain that slides (pain that men feel Slipperman)
I request that my landing gear agaunte.
The chase starts, estácaliente step
But I'm running so fast with everything I have.

The leads me to an underpass
Although narrow, it still flies very fast,
When the tunnel stops
, and I see the tube, just as it falls.
I'm on a bank too steep to be climbed,
I see it hit the water, just in time to see it float away
.

Return to the top

---

THE LIGHT DIES DOWN ON BROADWAY
While walking along the edge of the gorge,
It is with a sense of yesteryear.
A window at the bank on his head
CAS Unveils
through the streets. Sounds

subway, the sounds of complaint
The smell of acid on his gun of paint. While carving
anger in a blood-red tape,
Tomorrow destroyed by an unknown hand;
- My home.
Is this the way out of this endless scene?
Or just an entrance to another dream?

And the light dies in Broadway.

But as the skylight invites you to leave, I fear
a scream from far below.
Amid the raging water
squirms as Brother John, the crying out for help.

The gate is fading now, but wide open.
But John is drowning, I decide

Between freedom he had in the rat race,
Or stay forever in this forsaken place;
Hey John!
be routed to the river and the door goes, vacuum
Back he came from.
And the light dies in Broadway.

Return to the top

---

RIDING THE SCREEN
Coping going down the hill,
There is not much hope.
begin to try to climb the hill,
But the rocks around me wobble.

If I want John alive, I have to leave

(bridge) give me my fear-dive,
While I have my pressure (boost) to survive. Evel Knievel

, you have nothing on me!
Here I go!

Return to the top

---

IN THE RAPIDS

Down by the water John is carried by the stream and out of sight,
crisis is only in the
What you discover how to fight.

In the cold, feel the cold


all around me And the torrent of water roaring
surrounds me with its sound. Kicking

to reach you,
I can not reach the other side.
When you're running the rapids
only one way, this is letting go (groove).

Taken down, taken down by the undertow

And I'm sucked into a whirlpool that leads me to the bottom of the river,
My fire is extinguished.

holding onto a rock that is firm,

I'm waiting for John to pass being dragged.
We stay together and leave the rapids fast.

And when the waters subside
The dark and deep
not have anyone to hold. Hold
John! We're out of this at last.
Something has happened, that's not your face.
is mine!

Return to the top

---

it
cold weather, (continued) slowly.
's hot, just watch it grow.

- all around me.
are here. It is now.

Just a bit of that you can lift or depress.
As dinner is cooking in your hometown.
is chicken, is eggs,

is between your legs.
is walking on the moon,
dropping your cocoon.

is the puzzle, is the purple haze.
never stays in one place, but not a phase changing
is in the singles bar in the distance of the face,

is in the middle of the cage, you're always in a space
are here. It is now.

Any rock can be rolled,
If you have enough of it to pay the toll.
has no home in words or purpose,
not even in your favorite hole.
is the hope of the drug.

When you ride a horse without a nail.
is shaken, not stirred;
Cocktails on the roof.

When you eat fruit all live right you see (animated),
's inner spirit, with enough strength to survive
If you think it's pretentious, you've been taken for a ride.
Look in the mirror before they decide to choose

this here. It is now
Real. Rael is

it is only play and (knowing todo), pero me gusta.

Return to the top

Replacement Hyatt Lamp Shades

The Lamb Lies Down on Broadway - Spanish lyrics (Disc 1)

En 1990, antes que la Internet fuera lo que es hoy, me di a la tarea de traducir todas las letras del legendario album que fue " The Lamb Lies Down on Broadway ", de la super-banda progresiva Genesis. Hoy en dia, mas de quince años después, aún no consigo una página que contenga estas letras en español, así que decidí copiar mi traducción de entonces aquí. Por limitaciones de espacio en Blogger, he repartido las letras en dos posts divididos por disco. Este es el primero y aqui tienen un link al segundo , que corresponde al segundo disco.

Disco 1

• The Lamb Lies Down on Broadway
  
• Fly on a Windshield
  
• Broadway Melody of 1974
  
• Cuckoo Cocoon
  
• In The Cage
  
• The Grand Parade of Lifeless Packaging
  
• Back in NYC
  
• Counting out Time
  
• The Carpet Crawlers
  
• The Chamber of 32 Doors
  

---

THE LAMB LIES DOWN ON BROADWAY
Y el cordero yace (no opone resistencia) on Broadway.

Manhattan early in the morning,
ocean winds blow over the earth.
Palace Films is now waste (not done),
The all-night watchmen have fun.

Sleeping cheaply on the midnight show,
is the same old ending-time to go.
Out!
seems they can not abandon his dream.
There is something moving in the sidewalk steam, And the lamb lies
on Broadway.

Flyers (fugitive) of the night feel their pain.
The pharmacy (drugstore) low strings.

metal movement comes from explosions, but the station
service can quench that thirst.
suspension broke
discarded roadside trucker's eyes read "Overweight" and out of the underground
, Chico
Rael Imperial Aerosol

Sale in the light of day, the spray gun (spraygun) hidden, And the lamb
lies on Broadway.

The lamb seems out of place, however
the Broadway street scene finds a focus in its face. Somehow
lying there, Brings a quiet
air.
Although man-made light at night is very bright,
There is no cover-up victim,

As neon lights darken,
giving way to the layer (hand) white. Rael Imperial Aerosol
Chico,
clean your gun, have forgotten what he did,
And the lamb lies on Broadway. Suzanne

tired (tired) its job done,
think money (money)-honey (honey) - (be on)-neon (neon).
The velvet glove sounds the horn driver

And the sawdust king spits out his scorn. Wonder Women
remove the light with your screen (screen)! (Draw your screen)
not look at me! I'm not your type,
'm Rael!
Something inside me has just begun,
God knows what I've done, And the lamb lies
on Broadway.


On Broadway-They say the lights are always bright on Broadway.
They say there's always magic in the air. Back to top

---

FLY ON A WINDSHIELD
There's something solid forming in the air,
And the wall of death is lowered in Times Square. Nobody seems to care
,
They continue as if nothing was there.
The wind is blowing harder now, Blowing dust

in my eyes.
The dust settles on my skin, Making a crust
(bark) within which I can not move
And I'm hovering like a fly, waiting for the windshield on the freeway.

Back to top

---

BROADWAY MELODY OF 1974
Echoes in the Everglades (swamps) of Broadway,
With her mythical madonnas still walking in their shades: Lenny Bruce
, declares a truce and plays his other hand.
Marshall McLuhan, casual viewing, head buried in the sand.
Sirens on the rooftops wailing, but there is no ship sailing.
Groucho, with his movies promoted, he is alone with his comedy failing.

The Klu Klux Klan serve hot soul food and the band plays "In the mood"
The cheerleader waves her cyanide baton, there is a smell of flowers (bud) Peach (peach) and almond tart (sour).
Caryl Chessman sniffs the air and leads the parade, you know that in a fragrance, you can bottle all you did.
Howard Hughes has made blue suede shoes, smiling at the batuteras smoking Winston cigarettes.
And as the song and dancing begin, children play at home with needles, needles and pins.

Back to top

---

CUCKOO COCOON
Wrapped in a powdered wool-I guess (I guess) I'm losing touch.
not tell me this is dying, because I have not changed much.
The only sounds are drops of water, I wonder where the hell I am. Some kind
of binding (sauce)? Cuckoo Cocoon

perhaps I regained consciousness, too early for you?

There is nothing that I can recognize, this is no place I have ever known.
With no sign of life at all, I guess I'm alone,
And I feel so safe I know this can not be real but I feel good. Cuckoo Cocoon
perhaps I regained consciousness too early for you?

I wonder if I am a prisoner locked in some Brooklyn jail-or some kind
of Jonah shut up inside the whale.
No, I'm still Rael and I'm stuck in some kind of cave, what could
saving me? Cuckoo Cocoon
perhaps I regained consciousness too early for you? Back to top

---

IN THE CAGE

I have sunshine in my stomach
As if he had to rock my baby until he fell asleep.

I have sunshine in my stomach
And I can not help falling asleep,
Sleep, deep in the deep.

The face of the rock (Rockface) moves to press my skin White liquids turn
sour (bitter) in
They become fast (s)-
become sour sweat They become become sour. Should I

tell myself I'm not here,
I'm drowning in a liquid fear.
Bottled in a strong compression My distortion shows

obsession In the cave.
me out of this cave!

If I keep self-control,
be secure in my soul.
And the childhood belief Brings Relief
a moment
But my cynic soon returns And the lifeboat
burns,
my spirit just never learns.

stalactites, stalagmites
close in on me, I closed tightly and locked.
lips are dry, throat is dry.
I feel as if I burn, your stomach is stirred,
I'm wearing a white suit trudging
(filling) the remaining space.

Body stretching, feel (feel) misery (misery)

In the cage Get me out of this cage!

In the glow of a light
I see a strange kind of vision
cages joined to form a star
Each person can not go very far;

All
tied to their things are entangled by their strings, Free to
flutter in memories of their wasted wings.

Outside the cage I see my brother John,
He turns his head so slowly.
I scream Help! before it can go,
And I see no sound.
And I cry 'John please help me! "

But not even want to try to talk.
I am helpless in my violent rage And a silent
drop of blood dripping down his cheek,
And I see it turn again and leave the cage.
My little runaway.

In a trap, feel a strap
stay calm, set (holes) to kill (death),
Narrow likely to achieve it,

straight jacket with padded,
Just (just) as Calle 22,
When they grabbed me by the neck and feet. Pressures
forming, not take it anymore.
rammed my headaches, my pain by ear roar.

In pain Get me out of this pain.

If you could change to liquid,
could fill the cracks in the rock.
But I know I am solid
And I am my own bad luck,
But outside John disappears and my cage dissolves,
And for no reason my body revolves.

still spinning
still spinning
Spinning, Spinning
. Back to top

---

THE GRAND PARADE OF PACKAGING LIFELESS

"The last great adventure left (which is) the man," cried a lady
dacaida (discouraged) Offering his wrists
sleep unless unfair prices,
And as notes and coins are taken
I accepted (made in), the factory floor.

For the Grand Parade (procession) of
Lifeless Packaging-All ready to use

the Grand Parade of Lifeless Packaging-just need
a fuse.

have (n) accumulated in every shadow people,
must RIEF (s) or trade. Marked
with address, in a fatality accident,
Matching (level) your personality.
With profit potential marked by a sign,
I can recognize someone from the production line,

No bite at all in bonded labor,
wrinkled wrappers or dressing only human.

The Grand Parade of Lifeless Packaging-All

is ready to use the Grand Parade of Lifeless Packaging-just need
a fuse.

The decorations on the ceiling has planned her day


future I see no sign of free will,
So I guess (I guess) I'll have to pay
pay my way (way), for the Grand Parade
Life Without
of Packaging-All ready to use
the Grand Parade of Lifeless Packaging-just need

a fuse. Back to top

---

BACK IN NYC I see faces and signs (tracks) back home in New York City-
So you think I am I am a rude boy? Is that what you heard?

Well I like to see some action and gets into my blood.
call me leaving a trail of signs in the trunks of trees-Rael-electric razor. I
pitcher (pitcher) on the chain gang, we do not believe in pain
We are only as strong as the weakest link in the chain. Pontiac
released me when I was only seventeen, I had

out of me, if you know what I mean I mean,
You say I must be crazy, because I do not care who I hit, who hit.
But I know it's me who is hitting, and I'm not full of shit.
I do not care who I hurt, I do not care who do evil (hurt),
This is your mess I'm stuck, not really belong.

When I take my bottle full of gasoline,
You can tell by the night fires where Rael has been, where have you been Rael.

As stroked
porcupine He said I could not blame anyone but me, I held my heart
full of hair, shaving
time, shear, to him.

No time for romantic escape,
When your fluffy heart is ready for rape. No!
exploded.

You're sitting in your comfort you do not believe I'm real,

You can not buy protection from the way I feel. Your progressive hypocrites
deliver their garbage,
But it was mine at first, so the burn to ashes.
And I've tried the strongest meats, And

have sacrificed in colored sheets.
Who needs illusion of love and affection
When you are out walking the streets with your drug connection?
connection
As stroked
porcupine He said I could not blame anyone but me, I held my heart

full of hair, shaving
time, shear, to him.
No time for romantic escape,
When your fluffy heart is ready for rape. No! Back to top

---

COUNTING OUT TIME
'm omitting (excluding) time
I have written in numbers.
All those numbers!
(Le) da (n) my phone!

Oh God I need that now.

The day of reckoning has come, And you can
bet I've been resting,
for this test,
digesting every word the experts say. Erogenous zones
love them.
Without you, what would a poor boy?

found a girl he wanted out,
I should clarify.
I went to buy a book before it was too late.
not leave anything to chance. And I have studied CADDA
line, every page in the book,

And now I have the real thing here, I'll take a look, take a look
.

This is Rael! I am omitting

time, waiting to come out as planned, because I understand
. Look! I found the Hot Spots
Figures 1-9. I'm omitting
-time, I have my finger on the button,
"Do not say anything, just stay there still

And I turn you should be." Erogenous zones
love them.
Without you, what would a poor boy?

Toco and left with the 1-6.
A little trouble in zone No. 7.

I remember all the tricks.
The sky is ahead in the No. 11!
Getting crucial responses with dilation of the pupils.
"Darling (get ready)! It's time to open the lock, open the lock. Yay!" -More on Casanova_

'm omitting time, reaction none too happy,

Please do not slap me.
I'ma red-blooded male and the book said I could not miss. I am omitting
time, got unexpected pain of my lover.
I will ask my money back in the library immediately. Erogenous zones
the questionnaire
Without you what would a poor boy?

Without you, mankind (handkinds) through the sadness. Back to top

---

The Carpet Crawlers There

lambswool under my naked feet.
The wool is soft and warm,

-emits a special kind of heat.
A salamander scurries into flame to be destroyed.
imaginary creatures are caught in celluloid.
fleas cling golden fleece, Hoping to find peace
.
Each thought and gesture are caught in celluloid.
There is no hiding in my memory.
no empty space.

The cover carried the carpet in the hallway red ocher.
For my second sight of people, have more lifeblood than before.
They move. They move in time to a heavy wooden door.
Where the needle's eye is blinking, closing to the poor.
The crawling across the carpet to heed the call:
"We go to We go out to exit
"

There is only one direction in the faces I see;
is up to the roof, where it is said chamber.
Like the forest fight for sunlight, that goes to the root ( he loves) for each tree.
They are pulled upward by the magnet, believing they are free.
The crawling across the carpet to heed the call:

"We get to go
We enter to exit "

mild-mannered supermen are held in kryptonite,
And the wise and foolish virgins endure their laughter with their bodies glowing.
Through the door a harvest feast is lit by light to candles;
is the foot of a spiral staircase out of sight.
The crawling across the carpet to heed the call:

"We get to go
We enter to exit"

The porcelain mannequin with broken skin fears attack.
impatient group raises their mugs, they carry everything they need.
The liquid is frozen, which has flowed through the crack, and he who flatters
(tickles) took (takes) his stickleback (fish). The

crawling across the carpet to heed the call:
"We get to go
We get to go" back to top

---

THE CHAMBER OF 32 DOORS
At the top of the stairs, there are hundreds of people turning
running towards the doors.
They try to get themselves an audience;
their deductions need applause.

The rich man in front of me,
The poor man behind my back.
They believe they can control the game, but the juggler

(impostor) is another game of cards.

need someone to believe, someone to trust,

need someone to believe, someone to trust.

I would trust more in a rural man in a man City
can judge by their eyes, take a look if you can,
The smile through his guard, Survival trains

drive.
I would trust more in a man who works with his hands,
once you look, you know he understands,
not need any shield,
When you are out in the field.

But down here,

I'm so alone with my fear,
With everything I hear.
And every door, through which I walked
bring me back here,
I find my own way.

The priest and the magician, Singing all the songs
they have heard;

They are screaming my name,
Even academics, searching printed word.

My father to my left, my mother
right,
As everyone else is pointing
But no address appears to be correct.

And I need someone to believe, someone to trust,
need someone to believe, someone to trust.

I would trust more in a man who does not shout what he has found,
No need to sell if you're going home.
If I choose the one hand,
The ride will not take me. Back in


In this room of many doors,
I have no where to hide. I'd give all my
dreams, if you help me, to find a door

Do not bring me back here again, take me

. Back to top